This Is Your Conception
When a highly influential, even legendary, band disappears to surface again after 20 years and then gets an overwhelming response, we want to know their story. What happened? Why are they coming back now? What is their new music like?
The release of ‘State Of Deception’, Conception’s first full length album in over 20 years, marks the full-circle evolution of the band. It is an un-rushed yet seemingly fatalistic journey.
Formed in the late 80s out of the industrial Norwegian town of Raufoss, the band featured Tore Østby on guitar, Roy Khan on vocals, Ingar Amlien on bass and Arve Heimdal behind the drums. Naming them-selves Conception, they were to immediately display their propensity to operate ahead of the curve by self-releasing their debut album ’The Last Sunset;’ a process which took considerable effort against an industry backdrop totally unaccustomed to such independence of spirit.
A deal with Noise Records and three subsequent albums followed, amidst a host of European and Japanese touring, the combination of which went a long way to securing the band’s iconic status and cult following.
And then, nothing…
Conception never formally disbanded, never fell out amidst a back-ground of seething resentments, or embittered personalities. In-stead, they simply explored other musical avenues. Tore founded pro-gressive metal band ARK, Ingar formed black metallers Crest of Dark-ness, whilst Arve enjoyed a stint in blues rock outfit Nickels & Dimes. It was Roy who went onto most obvious public recognition as frontman of melodic hard rockers Kamelot.
As time elapsed, and as Roy in particular experienced significant burn out under the unrelenting glare of the public eye, it appeared this particular musical chapter had closed for good.
Yet that was to reckon without the ambitions of the original band line-up, who had remained friends throughout the intervening years. A 2018 reunion, intended only for the enjoyment of the band members themselves, went viral when rehearsal footage leaked online. A Norwegian prog metal snowball was set in downhill motion.
A whirlwind eighteen months ensued, encompassing a successful crowd-funding campaign, a near-fatal financial implosion (the crowd-funding income sank amidst Pledge Music’s much publicised bankrupt-cy, though the band worked overtime to honour fans’ investment), the re-presentation of Conception to a new generation of fans, a brand new EP (2018’s ‘My Dark Symphony’), a triumphant live return to their hometown of Gjøvik, and a hand-picked selection of rapturous-ly-received festival appearances.
“If we didn’t think we were capable of surpassing our previous work, we wouldn’t be here! We’re super proud of every single track on this album.” Tore Østby – guitar
With their trajectory clearly in the ascendancy, it was only a mat-ter of time before conversations about a headline tour and full al-bum release were to be turned into realities.
And so April 2020 saw the release of ‘State of Deception’, a nine track tour de force which lead singer Roy Khan described as ‘probably the best thing I’ve ever been involved in!’ The bar is set high then, but the band are more than happy to do so, as guitarist Tore Østby explains; ’If we didn’t think we were capable of surpassing our previous work, we wouldn’t be here! We’re super proud of every single track on this album.’
And rightly so, from the raucous riffage of ’No Rewind’ to the soaring tension of ’The Mansion,’ this is an album that eloquently show-cases the band’s infamous musical breadth, as much fuelled by a unique blend of classical and even jazz inspirations, as those of the rock and metal influences they wear most evidently on their col-lective sleeve. ’We’ve always said that we have a need to do what we feel is right for our music,’ Østby explains unapologetically, ’We couldn’t limit the musical scope of Conception even if we wanted to.’ Its a boundaryless approach that is to the band’s immense bene-fit, and one which is mirrored also in their business approach.
‘We’ve worked with record companies in the past, and by definition, the artist sits at arms-length from their fanbase,’ Khan muses. ‘We felt that was an unacceptable compromise.’ The result is not just a self-release via their own record company staffed by their own employees, but an entirely fan-funded process. ’The Pledge debacle was a learning experience, so this time we are reliant upon no-one other than ourselves to deliver to the fans.’ relays bassist Ingar Amlien.
This is no ordinary ’direct-to-fan’ relationship though. Yes, the CDs, vinyl, tees and hoodies are all there, but that’s only to scratch the surface of what the band have made available. 2021 will see the third annual Conception summer camping trip, spending an entire weekend in the company of the band and just a handful of other fans in the beautifully remote Norwegian mountains. It will also entail an album pre-listening party, around which a select few will be able to spend the entire weekend living with the band in an Oslo B&B. This is artist access 2020s style, in an effort to provide a degree of connection and insight that is unheard of within the major record company environment. ’For an artist to see the reaction from a fan the first time they hear a new song is an extraordinarily powerful experience,’ offers Østby. ’Whatever happens, these are shared encounters that will never leave us, band member or fan alike.’
2022 will also see the band’s first headline tour in over two decades, and they will headline Atlanta’s ProgPower USA festival, having already partnered with JVC for a full release in Japan, making for a particularly momentous period in the development of Conception.
“The lyrics of the album revolve around human error and betrayal, hence the album title, but also touch upon everything from people’s facade to cli-mate change, religion and politics” Roy Khan – vocals
State of Deception is both a definitive album release statement, as it is also a career milestone, recognising a lyrical depth that acknowledges the current social climate. Says Khan; ‘The lyrics of the album revolve around human error and betrayal, hence the album title, but also touch upon everything from people’s facade to cli-mate change, religion and politics.’
One thing is clear; Conception are back and have come full circle.
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